Monday, February 9, 2009

Review | Anime | Gunslinger Girl

GUNSLINGER GIRL : The Social Welfare Agency of Italy, on the surface,
rehabilitates those who have been physically injured. Underneath this harmless
disguise, they are an anti-terrorist organization with a grotesque specialty:
Terminally ill young girls that have been orphaned or abandoned are taken from
their bed-ridden states in the hospital and given cybernetic body parts along
with a thorough erase of all memories of their previous lives. The Agency trains
the girls as obedient assassins and teams them up with agents of the Italian
Government. Despite their conditioning, they are still young girls, and they
struggle with their emotions outside of the demands of the organization that
treats them merely as mindless tools.






I almost didn't watch this anime, for fear that it would be yet another Magical Girl rip-off about scantily-clad lolicon crime-fighters. I was surprised to find, however, that this was not the case at all; this anime is actually far from the typical bubbles and melon soda of anime youth and cuts straight into the darker side of the world. In the end, I am very pleased with this anime and happy I gave it a chance.


The anime centers primarily around the Jose/Henrietta fratello (Italian for 'siblings', a term used in the series to refer to the agents and their cyborgs) and Henrietta's struggle to express her feelings for her handler Jose. Jose is considered an oddball by many of the handlers at the Agency because of his loving treatment of Henrietta, choosing to treat her like a person rather than a machine. While it draws in confusion from the handlers, it gains longing from the cyborgs, who wish their handlers would treat them with the same respect that is given to Henrietta by Jose. Many of the cyborgs have strong feelings for their handlers, some of platonic respect and some romantic. The issue is, Jose happens to be the only handler in the Agency that expresses friendship towards his cyborg; Jose's handler co-workers treat their cyborgs as tools, and even refer to them as such, despite any attempts or desires the girls may have to form a bonding with their agents.

In addition to their strict military training, the cyborgs are schooled like regular girls, and are often tutored by fellow cyborg Triela, who is one of the older cyborgs in the series, aging at the time of her conditioning about 15-16. Typically the Agency only conditions young girls barely 13, stating that children are easier to condition and live longer, but Triela becomes one of the only exceptions, and the reason for being so is explained later in the dark sequel of the show, Gunslinger Girl: Il Teatrino.

Conditioning is easiest for children because of the development of their minds; their pasts and all memories are simple to erase and it doesn't take much effort at all to make the children completely obedient to their handlers at a stage in their lives when they need a figure to look up to. Conditioning of the cyborgs is not a frequent process, however, whereas the more the conditioning is increased, the shorter the lifespan of the girls become. Because of this, if a handler dies, the Agency won't recondition their cyborg to obey another trainer; the cyborg will merely be scrapped or kept for experiments.

The aptly named series does boast plenty of blood and violence, so this may be one to steer the kids away from completely, despite how interesting the "girls with guns" topic may seem. Even without the violence, the pace of the show and the complexity of the Agency's tasks probably won't keep a child attentive for long. Older fans of anime will probably draw out a lot more enjoyment, however, for the dramatic plot and beautiful storytelling on a brand new meaning of children being desperate for attention.

You won't want to walk by this one at the store, violence fan or non, if you enjoy the occasional mist in the eyes with some brain food thrown in. Gunslinger Girl is a wonderfully told story and a joy to watch. Another one for your Plan-To-Watch list.

Overall Rating:
/ 5



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Monday, February 2, 2009

Review | Movie | The Girl Who Leapt Through Time

THE GIRL WHO LEAPT THROUGH TIME : Makoto Konno is a typical high schooler
who spends most of her free time playing baseball with her friends Chiaki and
Kousuke. On a day when nothing seems to go her way and everything leads to
disaster, she has an encounter with a mysterious man in the science lab of
school, and is suddenly endowed with the ability to leap through time. As she
goes back to various points in her week to fix the problems she runs into, she
begins to realize the terrible adverse effects that amount from her alteration
of time.



The Girl Who Leapt Through Time was very recently released on DVD in America, and was shown on several college campuses across the United States. Upon discovering an advertisement on an anime website about the movie, I decided to have a sit-down and watch the film.

Even though it was not a big box office smash, through kudos from viewers and film critics, "Toki o Kakeru Shōjo" soon soared to large heights and did considerably well thereafter, despite not being advertised as much as other 2006 anime features.

The movie begins simply and paces simply, but once Makoto's run-in with a shadowed figure in the science lab sends her flying onto a strange nutshell, the time debate begins. Makoto's most trusted adult figure appears to be her aunt Kazuko, who instead of brushing off Makoto's time-leaping dilemma, actually becomes the one who suggests Makoto's experience was a genuine journey through the fabrics of time. At first Makoto thinks this impossible and denounces it, but once she begins to take literal leaps that would otherwise severely injure her, she discovers she can really travel to any time she wants. And how do you reckon a tardy, accident-prone girl with bad grades use a time-bending power?

Naturally, this is all working out quite well. All of Makoto's accidents are instantly fixed, and she is not above hooking her guy friends Chiaki and Kousuke up with girls who watch them from afar. She doesn't mind bragging a little about it to her aunt, either. Her aunt's speculation, however, turns out to be a true one: You can't just one piece of the timeline; if one thing changes, everything changes. Makoto soon realizes this the hard way; to avoid her cooking accident, she switched with a classmate who ended up having the accident instead of her, and this earned her classmate school bullies that mocked him for destroying the kitchen. The next problem? The battered boy wants his revenge, beginning with the girl who made him switch with her in class.

Her relationships with her school friends are tested, and some sparks even fly, but Makoto is determined to fix everything. Despite her attempts, a wrench is thrown in by her new discovery: She can only leap for a certain amount of times before her ability goes away forever.

This movie tells a great story and pulls its weight at a great pace. Makoto's comedy turns to drama as time unfolds itself and Makoto begins to question the source of her ability. The reviews were definitely correct about this one, and the awards were well deserved.

Parents should feel fine about showing this to their kids, although it doesn't contain elements that may interest very young kids. This may be a movie for the middle schoolers of your family and older.

The Girl Who Leapt Through Time is beautifully put together and plays out the fable of how every drug has its side effect in a lively, humorous and touching way. This one is unquestionably going to my anime collection, and I think it'll make a great addition to yours, too.


Overall Rating:
/ 5

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Monday, January 5, 2009

Review | Movie | My Neighbor Totoro


MY NEIGHBOR TOTORO : 10-year-old Satsuki and 4-year-old Mei move into a new house with their father to be closer to their sick mother being treated in a
nearby hospital. There's plenty of room at their new house to explore in the
woods, and when Mei's exploring sends her tumbling into the home of a large tree
spirit called Totoro, Satsuki and Mei immediately befriend the large rabbit-like
creature.



Miyazaki's at it again with this children's masterpiece that has been properly recognized with several awards. This film is quite well known, depending on how deeply the person you ask is in the anime loop. I've met some, however, that didn't watch anime at all that loved My Neighbor Totoro, one not even being a fan of animation at all and still calling it "one of the greatest movies of all time." After pausing to enjoy this short but engaging film, I can't argue with that.

If you stop by the movie store to pick up the English dub, keep your ears open for the voices of the Fanning sisters Dakota and Elle, dubbing for Satsuki and Mei. Be sure to keep your eyes peeled as well for cameo appearances by the soot gremlins we've come to love from the nationally acclaimed Miyazaki hit Spirited Away; though they're not a labor force this time, there's as much curiosity from this film's characters as there was in Spirited Away. No one can seem to take their eyes off the big flying balls of soot for some strange reason!

Soon afterwards, while Satsuki's at school, Mei begins to wander her new backyard following a trail of dropped acorns. Finally, once it's become clear who - or what - had been dropping the acorns, Mei finds herself underneath the trunk of a tree, napping on the stomach of a colossal rabbit-like tree spirit. The sleepy, large-mouthed rabbit, after being mistaken by Mei for a giant soot gremlin, roars his name to the girl, and the adventure begins.

Does the image of Totoro seem nostalgic? If you've seen any other Miyazaki creations, you may remember Studio Ghibli's brief credit at the beginning of the film, which sports the outline of a large Totoro accompanied by the Studio Ghibli logo. If you ever wondered what that strange bunny was, you'll at last get to see him in action in this classic 1988 anime that kids will love.

No questionable material is found in this movie, so I encourage everyone to take 70 minutes to sit down and enjoy the charming tale of the tree spirits that befriend two small girls. In almost all of Miyazaki's films, nature and its relations play a major part, such as the war over the protection of a large forest in Princess Mononoke, and the haunting consequences of man destroying the planet in the futuristic story of Nausicaa Of The Valley Of The Wind.

If you enjoyed the similar tale of Pom Poko, another Studio Ghibli creation, you won't want to miss this fantastic movie.

Overall Rating:
/ 5

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Monday, December 15, 2008

Review | Movie | Honey and Clover Live Action

HONEY AND CLOVER LIVE ACTION : Live action adaption of the
popular anime series. Yuta Takemoto, Shinobu Morita and Takumi Mayama are three college men who live in the same apartment complex within walking distance of the art college they all attend. When their teacher, Shuji Hanamoto,
returns from out of town with his cousin's daughter Hagumi, the tiny college
girl 'Hagu', through her cultivating artwork and exceptional kindness,
begins to change lives of the people around her.



I began watching this shortly after finishing the second season of the anime, I was lucky to find it after it was licensed on CrunchyRoll. It was amusing to see the actors they cast in the roles. Though Hagu isn't short enough to be made fun of like she was in the anime, she was still fun to watch.

This live action remake is definitely one that the Honey and Clover fans should be sure to check out. The film does not cover the second season, however, instead ending at the same place the first season did. As far as Takemoto's self-discovery, I was a little disappointed to discover that during his sleep time at the temple, he did not encounter any eccentric builders itching for a decent meal. One of the highlights of the series for me were the temple restoration workers commending Takemoto's fierce cooking skills and being grateful enough to call him one of their own. Instead, all Takemoto encounters before gloomily riding away is one lone construction worker who barely talks to him and dismisses him as a "pest." He shows up later offering Takemoto a ride in his truck, but that's about all we're able to get out of these cheerful, happy-go-lucky characters that sweetened the load in the anime.

In the end, we do get a couple gut-busting cameo roles from the unusually-named gallery owners Mario and Luigi Fujiwara, who never cease to wear shirts that boast their abdomens and pants that cling to whatever figure they may have had before the pounds packed on. They are as entertaining to watch as their hilarious take on Japanese introductory bowing when they meet visitors of their art show.

I think this movie is absolutely fine for kids to watch as far as content, and if they're able to pick up on the story, I think it's a great watch. The only content that may be concerning is the fact that nude statues are shown several times (as the movie takes place at an art school), and a man flashes his middle finger at a camera, though this is done from a distance and can hardly be made out. I'll definitely be rewatching this movie in the near future. Honey and Clover fans should enjoy this one very much. I'm very impressed.

Overall Rating:
/ 5

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Wednesday, December 10, 2008

Review | Anime| Honey and Clover



HONEY AND CLOVER : Yuta Takemoto, Shinobu Morita and Takumi Mayama are three
college men who live in the same apartment complex within walking distance of
the art college they all attend. When their teacher, Shuji Hanamoto, returns
from out of town with his cousin's daughter Hagumi, the tiny college girl
'Hagu', through her cultivating artwork and exceptional kindness, begins to
change lives of the people around her.



I don't have to tell you this series has made a major dent in the anime industry. One of the most well-known romance animes in the anime community, Honey and Clover's simplicity and pace is sure not to disappoint.

Though the story is slowly paced at the beginning and plot is unclear around the same time, once we meet short kid Hagu-chan, things become more and more vivid. Hagu is constantly chased by the directors of art galleries looking to post her art in their festivals and galleries; it eventually gets to the point where Hagu's attempts to meet the constant demand for artwork results on becoming physically and emotionally weak. However, Mr. Hanamoto (Shuu-chan, as she refers to him) is always willing to dedicate his time and is never too busy for Hagu. This begins to bother Hagu, who feels he should spend more time on what makes him happy. Also willing to help Hagu is Takemoto, who has grown a great fondness for Hagu and her work.

While Takemoto is getting plenty of attention from the girl he likes, Mayama is starving. Mayama has fallen in love with his employer, Rika Harada, which could not be a more complicated catch; Not only is Rika many years older, but she has lost her husband in a car accident that severely crippled and scarred her. She is now somewhat detached, refusing to get close to anyone, which puts Mayama in a bigger pinch. His obsession with Rika goes so far, he begins to stalk her. Though his friends try to tell him it's stalking, he refuses to admit it. He has even set his ring tone to "Moon River" because he heard Rika humming it once day to herself. This reels in plenty of teasing from the eccentric Shinobu Morita, who is infamous for rolling into Takemoto's apartment seemingly half-dead, his pocket seams bursting from the wads of money in his pocket, which nobody has any clue where he got.

Also in a love pinch is Ayumi Yamada, who is popular in the ceramics department of the college, especially with the boys, who call her 'Iron Lady' because of her constant thrasing of her male friends, specifically Mayama, who she has fallen head-over-heels for. She is almost always seen crying over Mayama, because she feels s if he is too busy staring at Rika to notice her, and most of the time she's right.

From the middle of the series all into the second season, the characters begin to understand themselves better and reflect on their futures. Some even go on journeys of self-discovery. In the middle of this dreamy slice of life is Hagu-chan, who despite being confused about self-discovery herself, knows that she has good friends in these oddball college students, so she's never alone.

While there is nothing overly inappropriate for children in this show, it would probably not hold a young child's attention because of the complexity and pace of the episodes. If a child does express interest in seeing this anime, there are a few incidents where characters become drunk and characters smoke, there are a few references to a woman being naked (it's a joke made over the telephone and no women are actually seen naked), and two girls cry hysterically in an exaggerated manner when they see a woman's beautiful body parts and they complain theirs aren't as beautiful. A man stalking his love interest is also referenced and the characters in question are later seen in bed together.

Sick of fantasy anime? Honey and Clover is about as close to reality as you can come, the only difference? Unlike actual life, it's actually worth watching. A definite must-watch from us.

Overall Rating:
/ 5

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Monday, December 8, 2008

Review | Movie | Panda Go Panda

PANDA! GO PANDA! : When her grandmother and primary caregiver
goes out of town, 7-year-old Mimiko lives alone in her small town and gets two
unlikely visitors to her little house: A huge panda and his tiny son. Mimiko
befriends the two and they become Mama, Papa and Son, and have adventures big and small, from circuses to picnics.



One of the only animes I've seen with no objectionable material for young children, Panda! Go Panda! is yet another fantastic creation by the renowned Hayao Miyazaki, known best for his stunning storyboards and hit films which bring in awards like moths to a flame. One of his earliest works is "Panda Kopanda", which is definitely one to bring homes to the kids.

The only thing there is to worry about from Panda! Go Panda! is the lovable Papa Panda's pipe which he later coats with his signature use of "nice" and commenting on how "tobacco is nice, too." He is never, however, shown to be under any influence by it. Papa Panda commonly calls things he enjoys or approves of nice. Children will adore this huge panda and his tiny son, and should get a great treat out of his large, toothy grins, reminiscent of the large rabbit-like tree spirit from Miyazaki's My Neighbor Totoro.

The films is put into two different parts, Panda! Go Panda! Family and Panda! Go Panda! Rainy Day Circus. Rainy Day Circus is the continuation of the first film (not so much a sequel as it is a second half), and in this film we meet a small runaway baby tiger who has fled the circus and is discovered in Baby Panda's bed. The young tiger is immediately befriended with open arms by the family, which because if its inclusion of a gigantic, over-eating panda accidentally scares away two circus staff members who come to Mimiko's house looking for "Tiny the Tiger". This somewhat disappoints Mimiko, who wanted to invite "her first burglars" to join them for dinner.

Mimiko and her animal companions are always smiling, even after heavy rain floods their house and drives them to the second level of Mimiko's house. Papa Panda's only comment on the sheeted rain is the fact that "rain is very good for bamboo." And bamboo is nice!

Panda! Go Panda is a charming and adorable watch that will thrill children, and even adults, looking for a heavy dose of something warm and fuzzy, so don't miss Miyazaki's clever sugar-coated panda family that will leave you shouting "Go Panda!"

Overall Rating:
/ 5

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